Some recordings are shaped as much by their surroundings as they are by the musicians performing them.
As work on Roots developed, we began looking for a space whose acoustic character would complement the music. Rather than adding reverberation digitally during the mixing process, we wanted to capture a natural sense of depth and resonance that belonged to a real place.
That search led us to a church first built in 1551.
Working alongside vocalist Abi D'Arcy, we recorded within the building, allowing its remarkable acoustic to become part of the performance itself. Every note travelled differently through the space, creating subtle reflections and a natural reverberation that couldn't be recreated artificially. The building wasn't simply where the recording took place; its acoustic became woven into the character of the piece.